Her face was thin and her voice shrill. When she was twenty-five, she looked forty. After she had passed fifty, nobody could tell her age; erect and silent always, she resembled a wooden figure working automatically. He wrote to Havre for her. A certain man named Fellacher consented to do the work. But, as the diligence driver often lost parcels entrusted to him, Felicite resolved to take her pet to Honfleur herself.!

The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car. I shall never forget the first big wave I caught out there in the deep water. I saw it coming, turned my back on it and paddled for dear life. Faster and faster my board went, till it seemed my arms would drop off. What was happening behind me I could not tell. One cannot look behind and paddle the windmill stroke. I heard the crest of the wave hissing and churning, and then my board was lifted and flung forward. I scarcely knew what happened the first half-minute. Though I kept my eyes open, I could not see anything, for I was buried in the rushing white of the crest. But I did not mind. I was chiefly conscious of ecstatic bliss at having caught the wave. At the end of the half-minute, however, I began to see things, and to breathe. I saw that three feet of the nose of my board was clear out of water and riding on the air. I shifted my weight forward, and made the nose come down. Then I lay, quite at rest in the midst of the wild movement, and watched the shore and the bathers on the beach grow distinct. I didn’t cover quite a quarter of a mile on that wave, because, to prevent the board from diving, I shifted my weight back, but shifted it too far and fell down the rear slope of the wave.

While on the way to the cutter we met the only white man on Tahaa, and of all men, George Lufkin, a native of New England! Eighty-six years of age he was, sixty-odd of which, he said, he had spent in the Society Islands, with occasional absences, such as the gold rush to Eldorado in ’forty-nine and a short period of ranching in California near Tulare. Given no more than three months by the doctors to live, he had returned to his South Seas and lived to eighty-six and to chuckle over the doctors aforesaid, who were all in their graves. Fee-fee he had, which is the native for elephantiasis and which is pronounced fay-fay. A quarter of a century before, the disease had fastened upon him, and it would remain with him until he died. We asked him about kith and kin. Beside him sat a sprightly damsel of sixty, his daughter. “She is all I have,” he murmured plaintively, “and she has no children living.” “I don’t know,” I answered. “When we get back, as near as I can figure it.” But it is the dolphin that is the king of deep-sea fishes. Never is his colour twice quite the same. Swimming in the sea, an ethereal creature of palest azure, he displays in that one guise a miracle of colour. But it is nothing compared with the displays of which he is capable. At one time he will appear green—pale green, deep green, phosphorescent green; at another time blue—deep blue, electric blue, all the spectrum of blue. Catch him on a hook, and he turns to gold, yellow gold, all gold. Haul him on deck, and he excels the spectrum, passing through inconceivable shades of blues, greens, and yellows, and then, suddenly, turning a ghostly white, in the midst of which are bright blue spots, and you suddenly discover that he is speckled like a trout. Then back from white he goes, through all the range of colours, finally turning to a mother-of-pearl.